....MARIA HUpfield | MAshkiki is movement | 19 October - 23 November 2024

Hupfield’s vision in the Mashkiki collection, rooted in the land and extending through the body and movement, challenges and inspires new ways of thinking about Indigenous fashion. Mashkiki is Movement transcends a typical fashion collection, evolving into a sculptural reflection on the deep relationship between Indigenous designers, the land, and space. Hupfield uses fashion not only as a form of visual expression but as a vessel for storytelling, community, communication, and the body’s profound connection to the land.

• excerpt from the exhibition text by Amber-Dawn Bear Robe

..MARIA HUpfield | MAshkiki is movement | 19 OCTOBRE - 23 NOVEMBRE 2024

(Texte anglais uniquement disponible)

Hupfield’s vision in the Mashkiki collection, rooted in the land and extending through the body and movement, challenges and inspires new ways of thinking about Indigenous fashion. Mashkiki is Movement transcends a typical fashion collection, evolving into a sculptural reflection on the deep relationship between Indigenous designers, the land, and space. Hupfield uses fashion not only as a form of visual expression but as a vessel for storytelling, community, communication, and the body’s profound connection to the land.

• extrait du texte d’exposition par Amber-Dawn Bear Robe

....

....ISABEL OKORO | COLOUR AND FEEL | 19 October - 23 November 2024

Colour and Feel examines the interplay between colour and emotion by presenting photographs and paintings through a monochromatic lens to explore how each hue may alter our emotional perception of the image. This series also considers the reciprocal influence of our own emotional state on the meanings we ascribe to these colours. The work invites a simple question: does colour influence how we interpret emotion, or does our emotion influence how we see colour?

..ISABEL OKORO | COLOUR AND FEEL | 19 OCTOBRE - 23 NOVEMBRE 2024

(Texte anglais uniquement disponible)

Colour and Feel examines the interplay between colour and emotion by presenting photographs and paintings through a monochromatic lens to explore how each hue may alter our emotional perception of the image. This series also considers the reciprocal influence of our own emotional state on the meanings we ascribe to these colours. The work invites a simple question: does colour influence how we interpret emotion, or does our emotion influence how we see colour?

....

....Surabhi Ghosh | By chance, choice, plan or force | 23 NOV – 21 Dec, 2024

Opening Reception: Saturday, November 23 (3pm-6pm)
Artist Talk: Saturday, December 14 @ 2pm

For her first solo exhibition with Patel Brown, Surabhi Ghosh presents a network of five lyrical works illustrating her long-standing dedication to incremental, monochromatic patterns that challenge our perception and emphasize the precarity of the systems that surround us. Working with principles of weight, volume, and density, the artist forms a body of site-responsive installations that explore the pliability of socially-determined borders and hierarchies. Applying these forces into simple gestures, Ghosh ushers an idiosyncratic metaphysics into the gallery space. In so doing, her versatile patterns offer audiences concurrent avenues for interpretation and calls them in to participate.

• excerpt from the exhibition text by Danica Pinteric 

..Surabhi Ghosh | By chance, choice, plan or force | 23 NOV – 21 Déc, 2024

Vernissage: Samedi 23 novembre (15h - 18h)
Présentation d’artiste: Samedi 14 décembre à 14h

Dans le cadre de sa première exposition solo à Patel Brown, Surabhi Ghosh présente un ensemble de cinq œuvres lyriques, illustrant son dévouement de longue date envers les motifs monochromes évolutifs qui remettent en question notre perception et qui soulignent la précarité des systèmes qui nous entourent. Travaillant avec des principes de poids, de volume et de densité, l’artiste crée un corpus d’installations qui s’adaptent au lieu, lesquelles explorent la malléabilité des frontières et des hiérarchies socialement déterminées. En appliquant ces notions à des gestes simples, Ghosh introduit une métaphysique idiosyncratique dans l’espace de la galerie. Ce faisant, ses motifs polyvalents offrent au public des pistes d’interprétation concurrentes et l’invitent à participer.

• extrait du texte d’exposition par Danica Pinteric (traduit par Marie-France Thibault) 

....